5.10.97
Dear Renaud,
Thank you for the Festival Program book (which, because of delays, I just received). It’s ~~~~~~~~~~, & ~~~~ ~~~~~~~~ selections are very intriguing.
Would ~~~~ ~~~~~ ~~~ ~~~~~~~~ ~~~ ~~~~~~ ? ~~~ ~~ ~~~~~~ ~~ ~~~~~ ~~~~ /~~~ ~~~ ~~~~~~~/, I wrote an ~~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~~~~ (~~~~ ~~~~~~~~~ ~~~~) & ~~~~ ~~~~~~~~ ~~~~~ ~~~~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~~~ (~~~~ probably remember him ~~~ ~~~~~). ~~~’~~ ~~~~~ ~~~ ~~~~~~~ & ~~~~~ ~~~~~~ & ~~~~~~~. ~~~~ ~~~~ ~~~~~~ ~~~~ ~~~~ ~~~~~~ act has been ~~~~~~~~~ ~~~ ~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~ (& ~~~’~~ wonderful).
It ~~~~ ~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~ (the first act ~~~~~ ~~~) ~~~~~ ~~~~~ ~~~~~~~, ~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~~~ ~~~~ ~~~~~~ (~~~~~ ~~~, ~~~ ~~~~~~ ~~~ on something else.) ~~~ ~~~~ ~~~~~~ ~~~~~~~~~ ~~~ ~~~~~~ ~~~ ~~~~ ~~~~~~. (~~~’~~ ~~~~ ~~~~~ ~~~ ~~~~~~ ~~~~~ ~~ ~~~~~~ would be better ~~~~~~~~~ ~~~ ~~~~~~~, anyway.)
I ~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~~~ /~~~~~~~ ~~ ~~~~~’~~ ~~~~ ~~~ ~~~~~~~/. ~~~~ ~~~~~~~~ show was great ! ~~~~ ~~~~~~~~~ (~~~~~ ~~~ ~~~~ ~~~ ~~~) ~~~~ ~~~~~~~~~~ (~~~~~~~ ~~~~ ~~~~~~~~ ~~~~~’~~ ~~~~~ ~~~~~). ~~~~ it was fun ~~~~~~~~ ~~~~ ~~~~~ ~~~~~~ & ~~~~~~~~ ~~~~~~ (~~~~ ~~~~~~~~~ ~~~~~). ~~~~ ~~~’~~ ~~~~~ ~~~ “~~~ ~~~~ ~~~~~~~~~~~~”. Mais je préfère ~~~ ~~~~~~~~. ~~~~~ ~~~~ ~~~ ~~~~~ & ~~~~ ~~~~ best.
Mark
5.10.97
Cher Renaud,
Merci ~~~~~ ~~~ ~~~~~~~~~~ ~~~ ~~~~~~~~~ (que je viens ~~~ ~~~~~~~~~, ~~ ~~~~~~ ~~~~ ~~~~~~~~). ~~~ ~~~~ ~~~~~, ~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~ ~~~ curiosité.
Est-ce que tu aimerais ~~~~~~~~~ ~~~ ~~~~~~ ? ~~~~~~ ~~~ ~~~~~~ ~~~ ~~’~~~~~~ ~~~~ / ~~~~~ ~~~ ~~~~~~~ /, ~~’~~~ ~~~~~~ un livret d’opéra ~~ ~~~~~~~ ~~~ ~~~~~~~~ ~~~~~~~~~~ (~~~ ~~~ ~~~~~~~~~ ~~~ ~~~~) & ~~~ ~~~~ ~~~~~~~ ~~~~ ~~~ ~~~~~~~~ avec Tom Cothran (~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~). ~~’~~~~ ~~~~~~ ~~~ ~~~~~~~~~~~~~ ~~~ ~~~ ~~~~~ ~~’~~~~~~ ~~~ ~~~ pathos. Et la ~~~~~~~~ ~~~ ~~~~~~~~ ~~~~~ ~~ ~~~~ ~~~~~~~~~ ~~~~ ~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~~~~~ ~~~~~~ ~~~~ ~~~~~~~ (& elle est merveilleuse).
La ~~~~~~~~~ (~~~ ~~~~~~~~ ~~~~~) ~~~~~~~ ~~~~~~ ~~~~~ ~~~~ ~~~~, ~~~~~ ~~~ ~~~~~~~~~~~ ~~ ~~~~~~~~ ~~~~~ ~~’~~~~~~~ (~~’~~~~-~~-~~~~~ qu’il l’a utilisé ~~ ~~~~~~ ~~~~~~). ~~~~~ ~~~ ~~~~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~ ~~ ~~~ ~~~~~~~~~~~~ ~~~ ~~~~ ~~’~~~ ~~~~~~~~ (~~’~~~~ le genre de ~~~~~~~ ~~~~ ~~ ~~~~ ~~~~~ ~~~~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~, ~~~ ~~~~~~ façon).
Je ~~~~~~~ ~~~~~ ~~~~~~ ~~~ Londres, quoique que ~~~ ~~’~~~~ ~~~~ ~~~ ~~~~~~~~ ~~~~~~’~~ ~~~ ~~~~~~~. ~~’~~~~~~~~~~~ ~~~~~~~~ ~~~~~~ ~~~~~~~~~~~. ~~~~ ~~~~~~~~~~ (~~~ ~~~~~ ~~~~~ partie d’un lot ~~~ ~~~) ~~~~~ ~~~~~~~~~~~~ (~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~ ~~~~~~). ~~~~~ ~~’~~~~~~ ~~~~~~~~ ~~~ ~~~~~~~~ avec David et ~~~~~ ~~~~~~~~ ~~~~~~ (~~~ ~~~ ~~~~~~~~~ ~~’~~~~). ~~~~~~~~~~~ ~~’~~~~ ~~~ ~~~~~~~~ “~~~ ~~~~ ~~~~~~~~~~~~”. ~~~~~ ~~~ ~~~~~~~~ le glamour. J’espère ~~~~ ~~~~~ ~~~ ~~~~~, ~~~~~ ~~ toi,
Mark
Enveloppe ~~~~~ ~~~~~~~~~ ~~~~~~~, ~~ ~~~~~~~ ~~~~~~~~ ~~~~~~~~~~. ~~~ ~~~~~ à gauche étiquette blanche ~~~~~~~~ ~~’~~~~~~~~ ~~~ ~~’~~~~~~~~~~~, ~~~~ ~~~~~~ lignes : ~~~~~ ~~~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~ # ~~~~ ~~~~ ~~~~~~~~~~ CA 94109. Au centre, ~~~~~~~ ~~~ ~~~ ~~~~~~, ~~~~~ : ~~~~ ~~~~~~~~~~ ~~~ ~~~ ~~ ~~~ ~~~ ~~~~ ~~~~~. À droite, deux timbres USA32 figurant ~~~~ ~~~~~. ~~~ ~~~~~~~~~ ~~~~~~, ~~ ~~~~~~~, ~~ mi-hauteur, ~~~~ ~~~~ ~~~~~. Puis :
M. ~~~~~~~ Camus
Chateau de Plieux
~~~~~~ Plieux,
France
La ~~~~~~~ ~~~~~-~~~~~ ~~~~ ~~~~~~~ ~~ la main sur ~~~~ ~~~~~~ ~~~~~ ~~~ ~~~~~~~ ~~~~~~, ~~~~~ ~~~~ ~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~ ~~~~ ~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~ lignes rouges verticales. ~~~ ~~~~~~ ~~~~~~~~~ ~~~~ ~~~~~~~ ~~~ ~~~~~ ~~~~~~~ ~~~~~~~ interlinéaires.
